While at the conservatory, she was seen as a soloist in Mendelsohn’s Elijah and the Oberlin Annual Sing-Along of Handel’s Messiah produced by Credo Music, and the Oberlin Office of Spiritual and Religious Life. Rosamund made appearances on the Oberlin Opera Theater’s stage in the Revolutionary chorus in the Dialogues des Carmélites by Francis Poulenc, and as Dorabella in Mozart’s delightful Cosi fan Tutte under the baton of Christopher Larkin. She has performed roles of Third Wood Sprite in Rusalka in the Portland Opera Workshop (LAH-SOW), and has studied the roles of Rosina in Il Barbiere di Siviglia, and Cherubino in Le Nozze di Figaro.

Upon graduation, Rosamund moved to New York City and assisted Carnegie Hall, the American Opera Projects, Heartbeat Opera and the Beth Morrison Projects to nurture emerging composers and librettists in the creation of meaningful contemporary opera. She recently returned to Washington to pursue her calling as a performing artist and was a 2024 Winner of the Seattle Opera Guild’s Singers’ Development Award. She was the Alto Soloist in the Bellingham Chamber Chorale’s Messiah, and has made appearances in the Pacific Northwest Opera’s productions of Mozart’s Le Nozze di Figaro and Die Entführung aus dem Serail.